Metaphor Your Writing: Make it Interesting, Not a Textbook

Written By:

Bella Emmorey

.

TIER

9/17/25

Context for this example: This character has an ability of manipulating ice. She lives in an arctic world in which there’s danger. She’s maintaining an ice wall she’s constructed around their home. I’ve added the paragraph proceeding it so you can see the flow.

example of h4 heading

Context for this example: This character has an ability of manipulating ice. She lives in an arctic world in which there’s danger. She’s maintaining an ice wall she’s constructed around their home. I’ve added the paragraph proceeding it so you can see the flow.

BEFORE

METAPHORED

In the end, I know the wall will do no more good to keep the soldiers out than my furs are doing for the wind. They’re a force. As much as Pa says it can make all the difference, I know the truth.

I think it’s meant more to keep me busy than to keep them out. I do it anyway. Pulling the ice up in a sheet, layering it against itself, moving over to do it again, wind biting through the seams of my leathers. 

In the end, I know the wall will do no more good to keep the soldiers out than my furs are doing for the wind. They’re a force. As much as Pa says it can make all the difference, I know the truth.

It’s like Ma giving Luuk a spoon and empty bowl when she’s cooking. Keeps me out of the way. Makes me feel like I’m doing something worthwhile. But I’m just mixing nothing. 

The meaning is the same. The sentiment is the same. But which is a richer method of getting the point across? Which shows character and world more?

Comb through your draft right now. Choose any line or paragraph—something descriptive or telling. Ask yourself, what is this similar to from your character’s perspective and world?

Now, the best part about the spoon and empty bowl is that it’s a universal metaphor. Anyone who has been around kids—especially those who have them—understands being the person to create this moment. And the truth behind how she’s feeling. That makes it all the more stronger.

But like anything with writing, it’s all a balancing game. While you can take any sample and find a way to do this, it’s important to find where it’s most fitting and appropriate. Where it’s strongest.

Carrying the Metaphor

Markatie’s draft of using lion at the start, then swapping to something else. Keep the same metaphor going in a page, or pages. Even in a chapter and that gives it a sense of togetherness, wholeness. It’s satisfying.

Metaphor: the sound of a boot as the night’s choice.

Carried metaphor: a group of people is a five piece ensemble.

Carried metaphor: the woman leading the group is “keeping rhythm”.

Both of these additional pieces are based on the first metaphor. If you’re not sure how to keep a scene moving without become bland and uninteresting, find an earlier metaphor and carry it down the page or through the chapter.

Here’s another example:

Testing Another Heading Right Here Okay

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What do you have in common with the best authors of all time? More than you think.

The best authors of all time started exactly where they were. They didn't jump ahead. They didn't skip steps. They didn't rush. With all the writing advice online these days, it's hard to know where to start.

Becoming one of the greats starts exactly where you are.

This assessment will tell you which of the 5 tiers you're a part of. Get your results in a minutes, without handing over your email.

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Meet the Creator

fiction analyst, instructor, writer, fierce protector of the written craft 

Bella Rose Emmorey is a selfish little book goblin who grew tired of reading what she refers to as "fast fiction"—books that are entertaining, but lacking in the emotional depth she's come to crave, long for, and love even in her own writing. Also known as the depth that represents the art of fiction.

And thus, Wrivlit was birthed from the loins of this particular distaste and a general contempt of books that all sounded the same, looked the same, and never left any sort of lasting impression. She understands that some authors just want to pump out money-makers they consider fun to write, and not every author wants to leave their emotional mark behind with their words

She does, however, hope to nurture the art of those who do.

If you'd like to find out more about her methods, click here.


Bella Rose Emmorey is a selfish little book goblin who grew tired of reading what she refers to as "fast fiction"—books that are entertaining, but lacking in the emotional depth she's come to crave, long for, and love even in her own writing. Also known as the depth that represents the art of fiction.

And thus, Wrivlit was birthed from the loins of this particular distaste and a general contempt   of   books   that.  all sounded the same, looked the same, and never left any sort of lasting impression. 

She understands that some authors just want to pump out money-makers they consider fun to write, and not every author wants to leave their emotional mark behind with their words

She does, however, hope to nurture the art of those who do.

If you'd like to find out more about her methods, click here.


Hi, I'm
Bella!